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KITTIE GOD FORBID GWEN STACY PAINMASK THE CHANCE THEATRE POUGHKEEPSIE, NY MARCH 27, 2010 by Morgan Y. Evans live pics by Katherine Mayer |
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early stages of spring are a great time of year for a metal show. All the
funky cabin fever you've built up like THE SHINING was your own personal
vlog and can be vented out in one fell swoop. The Kittie early year run
with God Forbid was certainly an ideal tour to catch with this agenda in
mind. Offering a diverse array of heavy acts ranging from the Christian
screamo of Gwen Stacy to the no bullshit American metal of underground pirates
God Forbid, everyone from a new school emocore fan to a nu metal kid to
a serious headbanger could probably be entertained for part of any given
night on the tour. While Kittie are not the earliest pioneers of truly heavy,
female fronted metal (I've gotta give a nod to Dawn Crosby and Karyn Crisis
here), they have soldiered on for years and really raised the profile for
many women in metal, making it seem less of a novelty than it used to be
considered. In The Black, the group's current record, is the Lander
sisters and friends best record in years. "Sorrow I Know" has
dreary and excellent guitars that nearly call to mind Ava Inferi, while
"Cut Throat" is a pounding single that works really great live.
This last Poughkeepsie, New York stop of the tour was a special show to catch, as not only was it the finale of a fun grouping of bands, but also a chance to catch the unexpected return of a seriously awesome underground band. Poughkeepsie's own Painmask were quite big on the hardcore scene about ten years ago, playing constantly with the likes of local heroes Beneath The Remains and Unbalanced, (members of whom went on to join Merauder). Painmask released their debut album, Are You Prepared To Meet The Truth, on InnerStrength Records in October of 2000, and toured with Mastodon, Hoods, and Dying Fetus in the summer of 2001. The passing decade saw Painmask members decide to give music another go, and this great band are back on the scene. Painmask got screwed around on their time slot and ended up opening the night, but delivered a stomping Biohazard and Madball influenced set of true metal influenced hardcore. These guys kick the crap out of something like E Town Concrete, but with a much more death metal influence at times. Mike Score from All Out War was even a guest on Are You Prepared To Meet The Truth years ago. It was awesome to see Painmask back in action. The band name was influenced by the artwork for Life Of Agony's Ugly record, and like the source of inspiration Painmask offer plaintive and honest portrayals of hard living. Overcoming many an obstacle to come back this strong, Painmask had people in the crowd screaming their band name all night, even during other band’s sets! (At this press time please also send some good thoughts to singer Jay Avery, whose brother was just in a bad car accident.) I talked briefly with Avery after the Painmask set about how it felt to open up this show and be back on the scene. "It was incredible to finally play with God Forbid," said Jay. "They're one of the great metal bands that has helped hold down the scene while we've been waiting for our flux capacitor to be repaired. We've got a solid lineup, and a bunch of new songs we can't wait to release. It feels amazing to be back at such a great time for metal." Gwen Stacy had an electric set of high energy screamo rock, vocalist Geoff Jenkins' enthusiasm infecting the crowd. Jenkins sorta mumbled about loving Jesus and hoping that was cool with the crowd, but it kind of got lost in the drunken roar and chatter of the fairly young audience. Pre-show I was waiting for a chance to talk with some of Kittie and throwing back beers at a Mexican place across the street from The Chance. They had an all Spanish language version of the Ice Cube movie Torque and really cheap Modelo, so I was basically in heaven. I saw a Jesus-y hardcore hoodie on one of the people in the restaurant and told the dude excitedly about Wrench In The Works, a really great band who are also Jesus-y (to each their own if the music is awesome, I say). Anyway, it turned out that I later realized I had been talking to Gwen Stacy bassist Brent Schindler, who was amused at my drunken rambling and was cool enough to agree to share some brief thoughts with CRUSHER. "It's been a great and unexpected tour for us," said Brent. "We're finishing the tour today. We're a band about mutual respect and getting along and loving everybody if possible. It's all about respect. That's what hardcore's based on." I also corralled Byron Davis from God Forbid and asked him what was on his brain. "This is Byron from God Forbid," he said into my recorder. "Right now nothing is on my brain. This is the last day of the tour. I am gonna go home and start some new shit." That's pretty to the point, but then again so is God Forbid's music. The band absolutely ruled the stage, kids going crazy. The majority of God Forbid's set highlighted their incredible Earthsblood release and the controversial and pulverizingly outspoken IV: Constitution Of Treason record. The highlight of the set was their cover of Pantera's "Mouth For War" however, the audience really getting into the tribute to the metal greats. God Forbid proved, as they do nearly every night, why they are one of the most respected bands in the underground. The sheer amount of growth the band has shown since the Out Of Misery EP is staggering. It was a lot of fun meeting Kittie before the show. I have heard Mercedes is really cool and while I have heard mixed things about how they treat opening bands over the years, all that aside, they really have slugged it out and held their own in the metal world. I hadn't seen them in quite some time since they were touring years ago (in 2002!) with a band called Acacia, also from Canada. While I miss Jenn City's era of the band, I gotta say the newer members Tara and Ivy really headbang onstage like champs! I thought I was watching fucking Kataklysm or something for a minute! Upon meeting Morgan Lander I had to poorly break the ice by telling her that Morgan is a boy's name. She laughed and then I admitted that I've only actually ever met one other guy named Morgan over the years but know numerous girls with the name, so I guess she wins. Then we moved on to more serious topics. A lot of kids have been through hardship and have metal in their lives as a positive form of release for pent up emotions. Especially for high school kids, metal can be a great way to survive trying times. In my local area the Pine Plains High School recently settled a million dollar lawsuit with a student who faced racism, and even less extreme examples for the average kid show that the teenage years are not easy. Kittie started out in the scene really young and kept on trucking, proving they weren't just a novelty act and writing great songs along the way like "What I Always Wanted." They really are great role models for having beaten the "girls in metal" stigma and for excelling at playing their own brand of music. "We just do what we do, quite honestly," said Morgan Lander. "We write a lot of songs that are open-ended and open to interpretation for a reason. We don't try to throw anything in people's faces or interject any religious point of view or political ideas, for example. It's about everyone for themselves, being themselves, and take away from the music what you want to take away from it." Keeping in mind the interpretive nature of themes Lander was speaking about, I asked her about the record title In The Black. With much of the country suffering economic hardship, money and survival is certainly on the minds of many people. Personally, I feel the recession is mainly due to the leftover fallout from the disastrous Bush years and that Obama deserves a lot of credit for trying to shore up so many holes in a leaking ship at once. The name In The Black also sort of implies surviving within darkness, or something. "It is a financial term. We decided to choose the name because hopefully it foreshadows us doing well financially," admitted Morgan. "At the same time it means a return to the back to basics, way more metal approach and darker sound for the band, stepping away from what we did the previous album." At this point I had to be more obnoxious and interject a truly stupid fan boy request (Morgan if you read this, thanks for bearing with me again. I was super manic that night!) I basically told Lander that I would do just about anything if there was anyway they would play a half time version of their old song "Pink Lemonade", which is already incredibly ponderous and sludgy. I was probably way too excited while telling her this idea, although she did laugh. Seriously though, that would instantly become the heaviest doom song ever! Well, while I doubt Kittie
will be taking my advice any time soon, their headlining set was top notch.
The band was in fine form (and that isn't a thinly veiled sexist comment,
though that's fine if anyone wants to read into it that way, I guess).
Seriously, though, Mercedes and Morgan have the sister chemistry plus
have played together for so long that it is like watching one single mechanism
onstage. Morgan's screaming has really gotten better and better and she
has quite a nasty growl to counteract her poppy and syrupy hypnotic melodic
tendencies. If you missed Kittie on this recent tour with God Forbid you
can catch them soon on the road again (unfortunately with Insane Clown
Posse...ouch). Even if you can't stomach ICP like most people, I recommend
catching Kittie because they are probably better than ever these days.
At the very least, pick up a copy of In The Black and throw one
back. |
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god forbid

painmask

kittie